ABORTED – La Grande Mascarade
- by ER
- Posted on 02-05-2020
What I find is that Sven de Caluvé (vocals), Ian Jekelis (guitars), Stefano Franceschini (bass) and Ken Bedene (drums) are doing a fine job of just being Aborted, but with a definite industrial/noise overtones of "Slaughter & Apparatus" (Gloom And The Art Of Tribulation), which is not to say they’ve departed from melody, as you’ll find plenty on the favorite "Funereal Malediction" which strongly recalls "Global Flatline", while the All Shall Perish-ian "Serpent Of Depravity" suggests a more progressive yet still no less melodic approach which, interestingly, touches black metal overtones. Aborted’s affinity for distortion and overwhelming power without underlying substance, most evident on the opening "Gloom And The Art Of Tribulation" (which is therefore my least favorite track and a major cause for lower points for about 2:50 minutes of its duration) is of some concern for the future but we’ll cross this bridge when they go too far in this tendency. At the same time, there’s nothing new under the sun, just what they do best.
Full of power, palpable sickness and progressive melody, to say nothing of technical prowess, Aborted signal they are doing fine and ready to assault your senses with a full length sonic attack some time in the future.