ABRAHAM – Video Premiere
ETERNAL TERROR LIVE
"Look, Here Comes The Dark!"
The Release Date
May 11th, 2018
‘Wind’ is the first track off the fourth part of our upcoming album. This is the final era, the oryktocene, the reign of stones. You who have come so far, you have witnessed the downfall of humankind, the reign of ferocious plants and the psychedelic era of the god mycelium. Now, earth has been cleansed from all life. Whether animal, insect, plant, or mushroom : nothing remains, but a handful of stone-eating human-like survivors to witness this. The last cell, the last bit of bacteria, the slightest mitochondrion: every little brick of living has crystallized. Expect bare landscapes, a planet of sand and dust, an empty rock floating through space. And the according sound.
I – ANTHROPOCENE The first part begins with the downfall of civilization, the remains of mankind and technology, and the survivors’ feeble attempts to escape from the urban chaos that ensues. This part is characterized by compositions that reflect the loss of bearing, as well as faster pieces that evoke a sort of panic feel. The vile, hopeless atmosphere of these times is sonically reflected by a dirty, gritty, blurred and granular sound.
II – PHYTOCENE In the second section, mankind’s architectural heritage is reclaimed by vegetation. The balance of power is inverted: remaining animal life is endangered, driven to extinction by furhter mindless exhaustion and depletion, without the chance for recovery. The musical experience of this second part aims to convey a sensation of suffocation in an environment where it is becoming increasingly impossible to breathe. The compositions are slowerpaced and more imposing, leaving more space to the bass.
III – MYOCENE The third period depicts landscapes where lush vegetation has given way to a humongous sprawling mycelium, controlling all remaining life. The last form of collective consciousness has merged into a gigantic organism whose ultimate task is to purge the planet of the scoria of humanity. Focusing on the mysteries of consciousness and its unlimited capacity, the band sets foot on an experimental field… there are some jazz-inspired compositions here, and the lyrics delve into vastly psychedelic territories, delivered by acid-soaked, multi-layered vocals.
IV – ORYKTOCENE The grand finale leaves no doubt about how desolate a sphere Earth has become: an empty rock floating in space. The compositions are stripped bare here, with no room for anything superfluous. The minimalist drone-like instrumentation results in a very dry and cold sound. A cynical epilogue leaves us with a few survivors finally departing into space, perpetuating and disseminating the destructive force that lies within humankind,
Though it’s easy to assume a clear message from this theme, the band clarifies that this album does not intend to serve as a political pamphlet. „This apocalyptic frame of mind allows us to apprehend the dark and violent emotions which emerge when we are confronted with our sinking world, enabling us to move beyond denial and bargain- ing, to welcome fear, despair, and rage instead of letting them consume us and thereupon to begin to grieve over the demise of our civilization“, comments vocalist and drummer David Haldimann, whose broken, wrecked melodic vocals clash with main vocalist Olivier Haehnel’s destructive and prophetic growls. „It is a long funeral lament.“
“This is so intense that it is almost physically painful.” – Metal Hammer
1-02 Wonderful World
1-05 To the Ground
1-06 Silent at Last
1-07 Dead Cities
1-09 Rise Goddess
2-03 God Mycelium
2-05 All the Sacred Voices
2-10 Space Departure
D. Schlagmeister – drums, vocals
J. Wierdmann – guitars, additional keys
M Axwielder – guitars
V. DiCabillo – bass
R. T. Especial – vocals, moog, noise